tag:blogger.com,1999:blog-90493997070138718072024-03-12T21:27:59.949-07:00ArquiVideosMarta García Falcóhttp://www.blogger.com/profile/18368234337321937818noreply@blogger.comBlogger262125tag:blogger.com,1999:blog-9049399707013871807.post-82215159602689217502013-05-20T11:52:00.000-07:002013-05-20T11:52:50.024-07:00Ciclo Grandes Arquitectos Argentinos 10a Edición Centro Cultural Recoleta<br />
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<span class="watch-title long-title watch-editable" dir="ltr" id="eow-title" style="background-color: white; border: 0px; cursor: pointer; font-size: 0.9em; letter-spacing: -0.05em; margin: 0px; padding: 4px;" title="Ciclo Grandes Arquitectos Argentinos 10a Edición Centro Cultural Recoleta"><span style="border: 0px; font-size: 17px; margin: 0px; padding: 0px;"><span class="goog-text-highlight" style="-webkit-box-shadow: rgb(153, 153, 170) 2px 2px 4px; border: 0px; box-shadow: rgb(153, 153, 170) 2px 2px 4px; box-sizing: border-box; font-size: 17px; margin: 0px; padding: 0px; position: relative;">Ciclo Grandes Arquitectos Argentinos 10a Edición Centro Cultural Recoleta</span></span></span></h1>
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<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-9049399707013871807.post-27260535957397405932013-05-19T11:15:00.001-07:002013-05-19T11:15:31.996-07:00Inauguración Ciclo Grandes Arquitectos Argentinos en el Centro Cultural Recoleta<iframe allowfullscreen="" frameborder="0" height="270" src="//www.youtube.com/embed/QhkctmLFCe8" width="480"></iframe>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-9049399707013871807.post-25763586235592830232013-05-16T08:59:00.000-07:002013-05-16T08:59:04.813-07:00Los trabajadores instalan sección final del chapitel alto de One World Trade Center<a href="http://e-arquinoticias.blogspot.com.ar/" style="background-color: white; color: #888888; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px; text-decoration: none;" target="_blank"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwqF55OxQUIozS8m4j-HszwmJoHfQoIFY7CBb5wPKw_MWecD3CmOGVX1GujqV15b0vkiK6Ab_fZnWyLE75fehcC2_PoDH_SbtoB-tbtVsAwEoF_6uxPG_w2T49-z_ra_pl-B56QoUl4HHt/s1600/biblioteca.jpg" style="-webkit-box-shadow: rgba(0, 0, 0, 0.0980392) 1px 1px 5px; 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<div class="clearfix yt-uix-expander yt-uix-expander-collapsed" id="watch7-headline" style="background-color: white; border-color: rgba(0, 0, 0, 0.0980392); border-style: solid; border-width: 0px 1px; font-family: arial, sans-serif; font-size: 13px; line-height: 13px; margin: 0px; padding: 15px 20px 9px; position: relative;">
<h1 id="watch-headline-title" style="background-color: transparent; background-position: initial initial; background-repeat: initial initial; border: 0px; font-size: 19px; line-height: normal; margin: 0px; overflow: hidden; padding: 0px; text-overflow: ellipsis; white-space: nowrap; word-wrap: normal;">
<span class="watch-title long-title yt-uix-expander-head" dir="ltr" id="eow-title" style="-webkit-user-select: auto; background-color: transparent; border: 0px; cursor: pointer; font-size: 0.9em; letter-spacing: -0.05em; margin: 0px; padding: 0px;" title="Los trabajadores instalan sección final del chapitel alto de One World Trade Center"><span style="background-color: transparent; background-position: initial initial; background-repeat: initial initial; border: 0px; font-size: 17px; margin: 0px; padding: 0px;">Los trabajadores instalan sección final del chapitel alto de One World Trade Center</span></span></h1>
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Publicado el 14 de mayo 2013</div>
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Como decenas de trabajadores de la construcción en lo alto de One World Trade Center y la miraba y aplaudía el hito histórico, los equipos instalados los dos tramos finales de la torre de acero de 408 pies en el One World Trade Center. El edificio se ubica un simbólicos 1.776 metros de altura, convirtiéndose en el edificio más alto del hemisferio occidental y la tercera más alta del mundo.Utilizando una grúa situada por encima de nivel de la calle, herreros levantó las dos últimas piezas de una plataforma de trabajo temporal en el techo Uno de WTC y las han incorporado a las 16 secciones previamente instaladas de aguja. Durante la instalación, herreros ajustado y apretado 60 pernos a una altitud de 1.701 metros en el aire.</div>
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<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-9049399707013871807.post-63617239277722363532013-05-11T05:06:00.000-07:002013-05-11T05:06:05.688-07:00Entrevistas en el Salon del mueble 2013 Milan<span style="font-family: Arial, Helvetica, sans-serif;"><b>Entrevistas en el Salon del mueble 2013 Milan (videos)</b></span><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><i>Publicado por Archi Portale</i></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Exponirm Benedetta Taglabue</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Schiffini Alkfredo Haberli Enrico Schiffini</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Budri Patricia Urquiola</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Poltrona Frau Zaha Hadid</span><br />
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<span style="background-color: white; font-family: Arial, Helvetica, sans-serif;">La atmósfera evocadora de Fonderia Napoleonica Eugenia en Milán albergó la comidilla de Zaha Hadid y Patrik Schumacher, con Stefano Boeri, en ocasión de las multiplicidades de exposiciones organizadas por Poltrona Frau Group. Encuentra mas sobre esto<a href="http://goo.gl/DFKL3">http://goo.gl/DFKL3</a></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Paola Lenti </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Paola Burbarelli</span><br />
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<b><span style="font-family: Arial, Helvetica, sans-serif;">Ceramica Sant A´gostino Philippe Starck</span></b><br />
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<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-9049399707013871807.post-77653327578920759092013-05-06T04:24:00.000-07:002013-05-06T04:24:23.488-07:00Arquitectura de Luz en Roma<span style="font-family: Arial, Helvetica, sans-serif;"><b>Arquitectura de Luz en Roma</b></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Exposición itinerante de la artista plastica Karina Chechik </span><br />
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<span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; line-height: 115%; mso-ansi-language: ES-MX; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"><b><span style="color: #1155cc; font-family: "Arial","sans-serif"; font-size: 10.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES-MX;"><a href="http://www.karinachechikarchitecturesoflight.com/" target="_blank">www.karinachechikarchitecturesoflight.com</a></span></b></span><br />
<span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; line-height: 115%; mso-ansi-language: ES-MX; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"><b><br /></b></span>
<span style="line-height: 115%;"><span style="font-family: Arial, Helvetica, sans-serif;">Una nota sobre esta exposicíon sera incluida en e-ArquiNoticias N° 6, la revista digital de SARAVIA Contenidos</span></span><br />
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<span style="line-height: 115%;"><span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-9049399707013871807.post-76826875834123239442013-04-27T12:29:00.001-07:002013-04-29T07:15:18.520-07:00Buenos Aires antiguo<br />
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Buenos Aires antiguo</div>
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<a aria-haspopup="true" aria-owns="js_10" data-ft="{"tn":";"}" data-hovercard="/ajax/hovercard/page.php?id=150940179689&extragetparams=%7B%22hc_location%22%3A%22stream%22%7D" href="http://www.facebook.com/ediciones.verstraeten?ref=stream&hc_location=stream" id="js_11" style="color: #3b5998; cursor: pointer;">Ediciones Verstraeten</a></div>
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<span class="messageBody" data-ft="{"type":3}" style="color: #333333; font-size: 13px; line-height: 1.38;">Documental realizado por mis abuelos François Verstraeten y Matilde Anchorena, junto a un grupo de cineastas belgas a inicios de la década del veinte, con el objetivo de mostrar al mundo algunos de los componentes esenciales del patrimonio cultural y artístico de la ciudad de Buenos Aires.</span></h5>
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<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-9049399707013871807.post-34584864847963354262013-04-27T00:28:00.000-07:002013-04-27T00:28:08.385-07:00Soluciones al transporte - TBS China<span style="font-family: Arial, Helvetica, sans-serif;"><b>Soluciones al transporte - TBS China</b></span><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><i>enviado por por Beatriz Canale</i></span><br />
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<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-9049399707013871807.post-34488057622006010282013-04-22T03:31:00.002-07:002013-04-22T03:31:56.980-07:00El Espartano Carpetas intervenidas-video arquinoticiasEl Espartano Carpetas intervenidas<br />
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<span style="background-color: white; color: #333333; line-height: 17px;"><span style="font-family: Arial, Helvetica, sans-serif;">En Vedia El Espartano Sí presentaron Carpetas modulares intervenidas con Estampados Diseñados Por Un Grupo de Artistas Plásticos En Una Muestra curada Por los arquitectos Miguel Jurado y Coco Radolsky, QUE SERAN destinadas a Escuelas</span></span></div>
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<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-9049399707013871807.post-37824029093442628912013-04-13T13:41:00.000-07:002013-04-13T13:41:12.170-07:00Clorindo Testa - Pecha Kucha Night Vol. 2 - Ciudad Cultural Konex<br />
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<strong style="background-color: transparent; border: 0px; font-size: 13px; margin: 0px; padding: 0px;">Publicado el <span class="watch-video-date" id="eow-date" style="background-color: transparent; background-position: initial initial; background-repeat: initial initial; border: 0px; font-size: 13px; margin: 0px; padding: 0px;">15/10/2012</span></strong></div>
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Orador: Clorindo Testa // Arquitecto<br />
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Pecha Kucha Night Vol. 2 en Ciudad Cultural Konex - Octubre de 2006<br />
Un encuentro entre creativos de todas las disciplinas.</div>
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<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-9049399707013871807.post-35648900658352660902013-04-06T11:57:00.000-07:002013-04-09T01:29:47.002-07:00¡Ay Carmela! Vuelven las canciones de la Guerra Civil (VÍDEOS)<br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">¡Ay Carmela! Vuelven las canciones de la Guerra Civil (VÍDEOS)</span></h1>
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<span style="font-size: x-small;"><i><span style="border: none; list-style: none; margin: 0px; padding: 0px;">publicado en El HuffPost</span> | </i></span></div>
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<img alt="Cuesta Ay Carmela" class="pinit" id="img_caption_3020684" src="http://i.huffpost.com/gen/1072630/thumbs/r-CUESTA-AY-CARMELA-large570.jpg?6" style="border: none; height: auto; list-style: none; margin: 0px; max-width: 100%; padding: 0px;" width="570" /></div>
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<em style="border: none; list-style: none; margin: 0px; padding: 0px;">¡Ay, Carmela! </em>vuelve. La mítica <a href="http://es.wikipedia.org/wiki/%C2%A1Ay,_Carmela!" style="border: none; color: #058b7b; cursor: pointer; list-style: none; margin: 0px; outline: none; padding: 0px; text-decoration: none;" target="_hplink">película sobre la Guerra Civil de Carlos Saura</a>protagonizada por Carmen Maura, Andrés Pajares y Gabino Diego que arrasó en los Goya del 91 recupera sus orígenes, que fueron los de una obra teatral, la que escribió en 1986 Sanchez Sinisterra.</div>
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<img alt="carmelas" src="http://i.huffpost.com/gen/1072652/thumbs/o-CARMELAS-570.jpg?6" style="border: none; height: auto; list-style: none; margin: 0px; max-width: 100%; padding: 0px;" /></div>
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La nueva <a href="http://aycarmelaelmusical.com/" style="border: none; color: #058b7b; cursor: pointer; list-style: none; margin: 0px; outline: none; padding: 0px; text-decoration: none;" target="_hplink">Carmela</a> no puede se más distinta que la Verónica Forqué del teatro o la Carmen Maura del cine: es la actriz Inma Cuesta, que ya trabajó en el musical <em style="border: none; list-style: none; margin: 0px; padding: 0px;">Hoy no me puedo levantar</em>. Producida por Andrés Vicente Gómez -que también produjo en su momento la versión cinematográfica- y dirigida por Andrés Lima, se estrena el 10 de abril en el teatro Reina Victoria de Madrid.</div>
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Aunque el musical <a href="http://www.huffingtonpost.es/josa-luis-garcaa-sanchez/ay-carmela_b_3019639.html?utm_hp_ref=spain" style="border: none; color: #058b7b; cursor: pointer; list-style: none; margin: 0px; outline: none; padding: 0px; text-decoration: none;" target="_hplink">incorpora nuevas piezas</a> compuestas por Víctor Manuel, Pedro Guerra o Vanesa Martín, el musical mantiene piezas clásicas de la obra: 'Suspiros de España', 'Ay, Carmela', 'Giovenezza' o 'Jarama Valley'. Como dice en su post en El HuffPost José Luís García Sánchez, responsable de la adaptación, es el "submundo de las variedades musicales, donde conviven lo frívolo y la copla, lo cursi y lo canalla; un género excesivo, lleno de ofertas desquiciadas, muy cercanas a lo esperpéntico, a lo valleinclanesco".</div>
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<a href="http://www.huffingtonpost.es/josa-luis-garcaa-sanchez/ay-carmela_b_3019639.html?utm_hp_ref=spain" style="border: none; color: #058b7b; cursor: pointer; list-style: none; margin: 0px; outline: none; padding: 0px; text-decoration: none;" target="_hplink">BLOG DE JOSÉ LUIS GARCÍA SÁNCHEZ: ¡AY, CARMELA!</a></div>
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Pasodobles, chotis, marchas militares, himnos religiosos, charangas y guitarras del folklore español vuelven a estar de moda. Repásalos en esta galería:</div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-9049399707013871807.post-30064598720993390052013-04-05T03:30:00.000-07:002013-04-05T03:30:13.158-07:00Transformación del espacio<br />
<span style="font-family: Arial, Helvetica, sans-serif;"><br /><b>Transformación del espacio</b><br />de <a href="https://vimeo.com/user10313670">Museo del Bicentenario</a></span> <iframe allowfullscreen="" frameborder="0" height="300" mozallowfullscreen="" src="http://player.vimeo.com/video/50940185" webkitallowfullscreen="" width="400"></iframe><br /><br />
<br />
<span style="font-family: Arial, Helvetica, sans-serif;"><b>variaciones arquitectónicas del puerto y la plaza de mayo a través del tiempo.</b></span><div>
<span style="font-family: Arial, Helvetica, sans-serif;"><b><br /></b></span></div>
<div>
<img src="data:image/jpeg;base64,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" /></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-9049399707013871807.post-42339705527100190392013-03-23T00:56:00.000-07:002013-03-26T23:03:18.839-07:00Vota por Fazer (escuchala)<span style="font-family: Arial, Helvetica, sans-serif;"><b>"Just do it", "Vota por Fazer"</b></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><b>5 lecciones para aspirantes a emprendedores.</b></span><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><i>enviado por Wobi</i></span><br />
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Linda Rottenberg</h2>
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Sobre <span itemprop="name" style="font-size: inherit;">Linda Rottenberg</span></h3>
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CEO y co-fundadora de la red de emprendedores Endeavor, es referente del entrepreneurship social y el impulso de las iniciativas en mercados emergentes.</div>
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Talking Points</h3>
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<span style="font-size: 13px;">Las oportunidades infinitas de la acción de emprender</span></div>
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Cultura emprendedora: desde mercados emergentes hasta corporaciones</div>
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Claves para identificar nuevas tendencias en el mundo</div>
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Linda Rottenberg videos</h3>
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<a href="http://www.wobi.com/es/wbftv/5-lecciones-para-aspirantes-emprendedor" style="color: white; display: block; font-size: 8pt; line-height: 10pt; outline: none; padding: 4px 16px 4px 6px; text-decoration: none;">Cinco lecciones para aspirantes a emprendedor</a></div>
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<a href="http://www.wobi.com/es/wbftv/5-lecciones-para-aspirantes-emprendedor" style="background-image: url(http://cdn.aws.wobi.com/sites/all/themes/custom/wbf/images/innovation-corner-tag.gif) !important; color: #777777; display: block; font-size: 1em; height: 28px; outline: none; overflow: hidden; text-decoration: none; text-indent: -1000px; width: 28px;">+</a></div>
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<a href="http://www.wobi.com/es/wbftv/linda-rottenberg-cuando-los-reales-emprendedores-cobran-vida" style="border-bottom-left-radius: 5px; border-bottom-right-radius: 0px; border-top-left-radius: 5px; border-top-right-radius: 0px; color: #777777; font-size: 1em; line-height: 0.1em; outline: none; text-decoration: none;"><img alt="Linda Rottenberg: When Real Entrepreneurs Come to Life" class="imagecache imagecache-speaker-wbftv-thumbnail imagecache-default imagecache-speaker-wbftv-thumbnail_default" height="88" src="http://cdn.aws.wobi.com/sites/default/files/imagecache/speaker-wbftv-thumbnail/page/21-02-rottenberg-727_1.jpg" style="border: 0px; font-size: 9.5pt; height: auto; max-width: 100%; vertical-align: middle;" title="Linda Rottenberg: When Real Entrepreneurs Come to Life" width="128" /></a></div>
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<a href="http://www.wobi.com/es/wbftv/linda-rottenberg-cuando-los-reales-emprendedores-cobran-vida" style="color: white; display: block; font-size: 8pt; line-height: 10pt; outline: none; padding: 4px 16px 4px 6px; text-decoration: none;">Linda Rottenberg: Cuando los reales emprendedores cobran vida</a></div>
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<a href="http://www.wobi.com/es/wbftv/linda-rottenberg-cuando-los-reales-emprendedores-cobran-vida" style="background-image: url(http://cdn.aws.wobi.com/sites/all/themes/custom/wbf/images/innovation-corner-tag.gif) !important; color: #777777; display: block; font-size: 1em; height: 28px; outline: none; overflow: hidden; text-decoration: none; text-indent: -1000px; width: 28px;">+</a></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-9049399707013871807.post-43410999827967754562013-03-23T00:45:00.000-07:002013-03-26T23:00:49.752-07:00Ursula Burns "Donde estas no es quien sos"<b><span style="font-family: Arial, Helvetica, sans-serif;">Ursula Burns "Donde estas no es quien sos"</span></b><br />
<b><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><i>enviado por Wobi</i></span></b><br />
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Ursula Burns</h2>
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<img alt="" class="imagecache imagecache-speaker-avatar-detail" height="400" src="http://cdn.aws.wobi.com/sites/default/files/imagecache/speaker-avatar-detail/ursula_wobifinal.jpg" style="border: 0px; font-size: 9.5pt; height: auto; max-width: 100%; vertical-align: middle;" title="" width="728" /></div>
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Sobre <span itemprop="name" style="font-size: inherit;">Ursula Burns</span></h3>
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Desde sus prácticas profesionales hasta su trabajo como CEO de Xerox, Ursula Burns ha tenido un rol esencial en la construcción de la empresa líder mundial en procesos de negocios y gestión de documentos.</div>
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Talking Points</h3>
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Una cultura basada en el valor, pasión por la innovación y un compromiso hacia el cliente: la receta de Xerox para el éxito</div>
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Forjar el crecimiento, la rentabilidad y la innovación: el rol del líder</div>
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Lecciones de supervivencia de negocios en tiempos inciertos</div>
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Ursula Burns videos</h3>
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<a href="http://www.wobi.com/es/wbftv/ursula-burns-liderazgo-impaciente-por-qu%C3%A9-ser-impaciente-es-una-virtud" style="border-bottom-left-radius: 5px; border-bottom-right-radius: 0px; border-top-left-radius: 5px; border-top-right-radius: 0px; color: #777777; font-size: 1em; line-height: 0.1em; outline: none; text-decoration: none;"><img alt="" class="imagecache imagecache-speaker-wbftv-thumbnail imagecache-default imagecache-speaker-wbftv-thumbnail_default" height="88" src="http://cdn.aws.wobi.com/sites/default/files/imagecache/speaker-wbftv-thumbnail/page/ursula_burns_agenda.jpg" style="border: 0px; font-size: 9.5pt; height: auto; max-width: 100%; vertical-align: middle;" title="" width="128" /></a></div>
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<a href="http://www.wobi.com/es/wbftv/ursula-burns-liderazgo-impaciente-por-qu%C3%A9-ser-impaciente-es-una-virtud" style="color: white; display: block; font-size: 8pt; line-height: 10pt; outline: none; padding: 4px 16px 4px 6px; text-decoration: none;">Ursula Burns: Liderazgo Impaciente: Por qué ser impaciente es una virtud</a></div>
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<a href="http://www.wobi.com/es/wbftv/ursula-burns-mi-mayor-desafio-como-ceo-de-xerox" style="border-bottom-left-radius: 5px; border-bottom-right-radius: 0px; border-top-left-radius: 5px; border-top-right-radius: 0px; color: #777777; font-size: 1em; line-height: 0.1em; outline: none; text-decoration: none;"><img alt="Ursula Burns: Mi mayor desafío como CEO de Xerox " class="imagecache imagecache-speaker-wbftv-thumbnail imagecache-default imagecache-speaker-wbftv-thumbnail_default" height="88" src="http://cdn.aws.wobi.com/sites/default/files/imagecache/speaker-wbftv-thumbnail/page/20-02-burns_1.jpg" style="border: 0px; font-size: 9.5pt; height: auto; max-width: 100%; vertical-align: middle;" title="World Business Forum New York 2012" width="128" /></a></div>
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<a href="http://www.wobi.com/es/wbftv/ursula-burns-mi-mayor-desafio-como-ceo-de-xerox" style="color: white; display: block; font-size: 8pt; line-height: 10pt; outline: none; padding: 4px 16px 4px 6px; text-decoration: none;">Ursula Burns: Mi mayor desafío como CEO de Xerox</a></div>
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<a href="http://www.wobi.com/es/wbftv/ursula-burns-donde-estas-no-es-quien-eres" style="border-bottom-left-radius: 5px; border-bottom-right-radius: 0px; border-top-left-radius: 5px; border-top-right-radius: 0px; color: #777777; font-size: 1em; line-height: 0.1em; outline: none; text-decoration: none;"><img alt="Ursula Burns: "Donde estás no es quien eres" " class="imagecache imagecache-speaker-wbftv-thumbnail imagecache-default imagecache-speaker-wbftv-thumbnail_default" height="88" src="http://cdn.aws.wobi.com/sites/default/files/imagecache/speaker-wbftv-thumbnail/page/07-03-burns-727.jpg" style="border: 0px; font-size: 9.5pt; height: auto; max-width: 100%; vertical-align: middle;" title="World Business Forum New York 2012" width="128" /></a></div>
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<a href="http://www.wobi.com/es/wbftv/ursula-burns-donde-estas-no-es-quien-eres" style="color: white; display: block; font-size: 8pt; line-height: 10pt; outline: none; padding: 4px 16px 4px 6px; text-decoration: none;">Ursula Burns: "Donde estás no es quien eres"</a></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-9049399707013871807.post-6386157416018653812013-03-13T04:15:00.000-07:002013-03-13T04:15:04.429-07:00Antonio Gaudí y otros videos de arquitectura<br />
<b>Antonio Gaudí. Hiroshi Teshigahara, 1984</b><br />
<iframe allowfullscreen="" frameborder="0" height="305" mozallowfullscreen="" src="http://player.vimeo.com/video/32463808?byline=0&color=ffffff&autoplay=1" webkitallowfullscreen="" width="420"></iframe> <br />
<a href="http://vimeo.com/32463808">Antonio Gaudí. Hiroshi Teshigahara, 1984</a> from <a href="http://vimeo.com/utopickentelequia">First & Last Name</a> on <a href="http://vimeo.com/">Vimeo</a>.<br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>Herzog & de Meuron, Conferencia a cargo de Jacques Herzog</b></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>Citizen Architect: Samuel Mockbee and the Spirit of the Rural Studio (2010)
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<span style="font-family: Arial, Helvetica, sans-serif;"><a href="http://icarusfilms.com/new2006/koch.html" style="border: 0px; color: #2e7cb6; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;" target="_blank"><strong style="border: 0px; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Kochuu: Japanese Architecture</strong></a> (2003)</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Director: Jesper Wachtmeister. 53 mins.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">KOCHUU, lo que se traduce en “la olla”, se refiere a <a href="http://icarusfilms.com/new2006/koch.html" style="border: 0px; color: #2e7cb6; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;" target="">“la tradición japonesa de la construcción de pequeños y cerrados espacios que crean una impresión de un universo aparte”</a>. El documental no solo explora la arquitectura japonesa contemporánea, sino también revela la fuerte influencia que tiene sobre la arquitectura escandinava y arquitectura moderna en general.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><em>Te gustará, si te interesa: </em><a href="http://www.plataformaarquitectura.cl/tag/arquitectura-japonesa/" style="border: 0px; color: #2e7cb6; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;" target="">Arquitectura Japonesa</a><em>, </em><a href="http://www.plataformaarquitectura.cl/tag/tadao-ando/" style="border: 0px; color: #2e7cb6; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;" target="">Tadao Ando</a><em>, </em><a href="http://www.plataformaarquitectura.cl/tag/toyo-ito/" style="border: 0px; color: #2e7cb6; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;" target="">Toyo Ito</a> <em>, </em><a href="http://www.plataformaarquitectura.cl/tag/alvar-aalto/" style="border: 0px; color: #2e7cb6; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;" target="">Alvar Aalto</a> <em>.</em></span></div>
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<iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/mygocMxx8Uo" width="420"></iframe>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-9049399707013871807.post-34888232620398100832013-03-06T06:53:00.001-08:002013-03-13T04:20:54.459-07:00Las películas de moda | Brian Atwood S / S 2013 Campaign<a href="http://filmsoffashion.com/archives/films/brian-atwood-spring-summer-2013-campaign#.UTdYLQQwnnY.blogger">Las películas de moda | Brian Atwood S / S 2013 Campaign</a><br />
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<iframe allowfullscreen="" frameborder="0" height="236" src="http://www.youtube.com/embed/YhZ3rO7nPi4" width="420"></iframe>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-9049399707013871807.post-74589697719445079072013-03-04T10:59:00.004-08:002013-03-04T10:59:41.480-08:00Una historia impresionante, para pensar<iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/kJ1a-3ZnsGg" width="420"></iframe><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Se que el lugar es un programa de TV y los que aplauden y se emocionan, quizas no comprenden que ellos forman parte de una sociedad que acepta que pasen estas cosas, pero el que este libre.. que tire la primera piedra</span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-9049399707013871807.post-58138054823476846372013-03-03T09:15:00.000-08:002013-03-03T21:45:38.905-08:00Water Cherry Kengo Kuma Architects<br />
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<b><span style="font-family: Arial, Helvetica, sans-serif;">Water / Cherry</span></b></div>
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<b><span style="font-family: Arial, Helvetica, sans-serif;">Architect: Kengo Kuma & Associates</span></b></div>
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<a href="http://vimeo.com/58873109">Water / Cherry</a> from <a href="http://vimeo.com/user11358352">JA+U</a> on <a href="http://vimeo.com/">Vimeo</a>.<br />
Shinkenchiku (New Architecture) December 2012<br />
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Water / Cherry<br />
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Architect: Kengo Kuma & Associates<br />
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<span style="font-family: Arial, Helvetica, sans-serif;">La casa Water / Cherry de la firma japonesa Kengo Kuma Asociados está ubicado en un acantilado a lo largo de uno de las hermosas costas de Japón . El hogar es una serie de recintos separados conectados por al aire libre paseos que discurren entre paisajes del agua y la roca, interior fusión y espacios exteriores en una sola. Diversas pantallas de la casa se puede abrir para conectar más espacios de vida con el aire libre, la exposición de vistas panorámicas desdela casa, un entorno tranquilo para crear una estructura que está verdaderamente en sintonía con su entorno natural</span> </div>
For more Japanese architecture visit www.japlusu.com/<br />
twitter.com/japlusu<br />
facebook.com/japlusu<br />
pinterest.com/japlusu<br />
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<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-9049399707013871807.post-11569116848127547922013-03-01T22:43:00.001-08:002013-03-03T21:43:06.012-08:00Thomas Heatherwick construyendo la Catedral de las semillas..<span style="background-color: white; color: #3f3f3f; font-family: helvetica, arial, sans-serif; line-height: 15px;"><span class=""><b>Thomas Heatherwick construyendo la Catedral de las semillas..</b></span></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Un futuro más hermoso? Arquitecto Thomas Heatherwick muestra cinco proyectos recientes que ofrecen ingeniosos diseños inspirados en la biología. Algunos son remakes de lo común: un autobús, un puente, una central eléctrica ... Y uno es un pabellón extraordinario, la Catedral de Semillas, una celebración ...</span><br />
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</span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-9049399707013871807.post-75544859456679221252013-03-01T22:35:00.000-08:002013-03-03T21:40:22.337-08:0017 palabras de inspiración arquitectónica: Daniel Libeskind en TED.com<span style="background-color: white;"><b><span style="font-family: Arial, Helvetica, sans-serif;"><a href="http://blog.ted.com/category/architecture/">ARQUITECTURA</a><br />17 palabras de inspiración arquitectónica: Daniel Libeskind en TED.com</span></b></span><br />
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<i><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"> (Grabado en TED2009 de febrero de 2009 en Long Beach, California Duración: 18:37).</span></i><br />
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<i><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><br /></span></i>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-9049399707013871807.post-49811563342967347672013-02-24T11:14:00.000-08:002013-02-26T14:15:50.994-08:00BBC HARDtalk - Renzo Piano - Arquitecto<span style="font-family: Arial, Helvetica, sans-serif;"><b><br />BBC HARDtalk - Renzo Piano - Arquitecto (02/05/13)<br /><a href="http://www.youtube.com/user/BBCHardTALK24?feature=watch"></a></b></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">BBC Sarah Montague <a class="st_tag internal_tag" href="http://www.archdaily.com/tag/interviews/" rel="tag" style="color: #2e7cb6; outline: none; text-decoration: none;" title="Entradas etiquetadas con entrevistas">entrevistas </a><strong>Renzo Piano</strong><span class=""> , el cerebro detrás rascacielos más polémica y más nuevo de Londres: "La Piedra". </span>Antes de la entrevista, Montague Piano manchado mezclado entre la multitud durante <a href="http://www.archdaily.com/327150/the-shard-opens-to-the-public/" style="color: #2e7cb6; outline: none; text-decoration: none;">la inauguración</a> del rascacielos de 310 metros "espiar" a los espectadores. Cuando se le preguntó acerca de este momento, Piano reveló el gran consejo que recibió del destacado director de cine italiano Roberto Rossellini a la finalización del <a href="http://www.archdaily.com/64028/ad-classics-centre-georges-pompidou-renzo-piano-richard-rogers/" style="color: #2e7cb6; outline: none; text-decoration: none;">Centro Pompidou</a> en París: "No te ves en el edificio, nos fijamos en la gente que mira el edificio. "Fue en ese momento cuando observó Piano" sorpresa "y" asombro, pero no miedo "entre los espectadores - una reacción que parecía estar contento con.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">A pesar del intento de Piano de abstenerse de controversia, es difícil de evitar cuando su diseño tiene la intención de celebrar un "cambio en la sociedad", al igual que el 'fragmento'.El cambio tiende a agitar una mezcla de emociones y suscitar el debate. Sin embargo, ser parte de esta "aventura humana", como un arquitecto es lo Piano encuentra más gratificante. Él dice: "No se cambia el mundo como un arquitecto, pero celebrar el cambio del mundo."</span><br />
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-9049399707013871807.post-46539353825556820272013-02-14T10:43:00.002-08:002013-02-14T10:43:45.049-08:00Zaha Hadid Unveiling<b><span style="font-family: Arial, Helvetica, sans-serif;">Descubriendo Zaha Hadid en Beijing</span></b><br />
<i><span style="font-size: x-small;">enviado por Crane TV</span></i><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Beijing 24 de enero 2013 Los globos amorfos de Galaxy SOHO en Beijing son la contribución única del diseñador británico de la ciudad en este horizonte en constante evolución.</span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-9049399707013871807.post-87857680662521562412013-02-12T13:22:00.000-08:002013-02-12T13:22:47.389-08:00para pensar<br />
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<span class="watch-title long-title yt-uix-expander-head" dir="ltr" style="-webkit-user-select: auto; border: 0px; cursor: pointer; font-size: 0.9em; letter-spacing: -0.05em; margin: 0px; padding: 0px;" title="Beatriz Talegón: Revolución desde un hotel de 5 estrellas (Discurso completo)">Beatriz Talegón: Revolución desde un hotel de 5 estrellas (Discurso completo)</span></h1>
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<span style="font-family: Arial, Helvetica, sans-serif;">Published on Feb 10, 2013</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">La española Beatriz Talegón, secretaria general de Juventudes Socialistas de España en Europa y de la Unión Internacional de Juventudes Socialistas, dejó boquiabiertos con su regañina a muchos de los asistentes al Consejo de la IS, celebrado en un lujoso hotel de Cascais, a 25 kilómetros de Lisboa, con delegados de un centenar de partidos de todo el mundo.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">En su improvisado discurso ante los dirigentes de la organización, que encabezaba su presidente, el ex primer ministro griego Yorgos Papandreu, Talegón afirmó: "Os exigimos de una vez por todas que la Internacional tenga sentido, no hagáis que los jóvenes nos avergoncemos".</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">La dirigente de las juventudes socialistas españolas también pidió que las cuentas de la IS no sean un "misterio, como el de las pirámides", abogó por una escuela de nuevos políticos para el futuro y censuró que reuniones como está se celebren "en <a href="http://www.youtube.com/watch?feature=player_embedded&v=WT2tbHq9hlg#">hoteles</a>de cinco estrellas" y los delegados lleguen "en coches de lujo".</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">"Pero no nos queréis escuchar, no estamos solo para trabajar de 'staff' como los jóvenes de Portugal en esta reunión", se quejó Talegón, al denunciar que los dirigentes de la IS quieren a los militantes jóvenes "para aplaudir y llenar los espacios con caras bonitas".</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">"Estamos aquí comprometidos con vosotros, los mal llamados líderes, porque sois los responsables de lo que esta pasando (...) Estamos pagando las consecuencias de vuestra falta de acción o de vuestra acción", proclamó.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">"No tenemos ningún tipo de apoyo de la Internacional Socialista, no os preocupamos en absoluto", aseguró Talegón, tras criticar a quienes acuden a la conferencia como "estrellas mediáticas" y hablan de sus países sin ofrecer soluciones a los demás, como hacía antaño la organización.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">En Uganda hay jóvenes socialistas encarcelados -recordó- y alguien en la conferencia podría ofrecer "buenos abogados" para sacarlos de prisión.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Pese a las caras de desaprobación de algunos asistentes, Talegón recibió una fuerte ovación al terminar su intervención, dentro de las decenas de discursos de los asistentes al Consejo, una de las reuniones anuales de la IS.</span></div>
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Beatriz Talegón, la socialista que se plantó ante la "revolución desde un hotel de cinco estrellas" (VÍDEO)</h1>
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Beatriz Talegón, secretaria general de la <a href="http://www.iusy.org/" style="border: none; color: #058b7b; cursor: pointer; list-style: none; margin: 0px; outline: none; padding: 0px; text-decoration: initial;" target="_hplink">Unión Internacional de Jóvenes Socialistas (IUSY)</a>, tomó la palabra en la conferencia de la Internacional Socialista (IS) en Cascais (Portugal). Y dijo lo que los líderes de la socialdemocracia mundial no querían escuchar.</div>
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Talegón, también responsable de Juventudes Socialistas de España, criticó amargamente la estrategia de izquierdas ante la crisis y su desafección por los jóvenes. "No hemos sido los socialistas del mundo los que les hemos animado a salir a la calle ni a movilizarse", en referencia a las manifestaciones en Madird, Atenas o Bruselas. "No están reclamando lo que nosotros aquí como socialistas convencidos queremos defender".</div>
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<a href="http://www.huffingtonpost.es/2013/02/11/beatriz-talegon-los-partidos-maquinas-contratar-gente-dedo-socialismo-discurso-cascais_n_2663131.html?1360610294" style="border: none; color: #058b7b; cursor: pointer; list-style: none; margin: 0px; outline: none; padding: 0px; text-decoration: initial;" target="_hplink">LEE AQUÍ NUESTRA ENTREVISTA CON BEATRIZ TALEGÓN</a></div>
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"Me sorprende mucho como pretendemos remover la revolución desde un hotel de cinco estrellas en Cascais, llegando en coches de lujo", dijo.</blockquote>
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"¿De verdad sentimos ese dolor aquí dentro? ¿De verdad podemos entender lo que estamos pidiendo al mundo desde un hotel de cinco estrellas?", dijo durante la reunión, en la que participaban, entre otros, el ex primer ministro griego, Yorgos Papandreu, el secretario general del Partido Socialista luso, Antonio José Seguro, la socialista francesa Segolene Royal o la española Purificación Causapié, secretaria de Igualdad del PSOE.</div>
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"Lo que debería dolernos es que ellos están pidiendo democracia... y nosotros no estamos ahí", dijo Talegón. "No nos queréis escuchar". "No os preocupamos en absoluto porque nos tenéis aquí y ni siquiera venís a preguntarnos nuestro puntop de vista", lamentó antes de pedir que los jóvenes tengan voz y voto en las formaciones políticas tras un proceso democrático.</div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-9049399707013871807.post-73192380675304993752013-02-01T20:58:00.000-08:002013-02-01T20:58:27.274-08:00Entrevistas - Gustavo Ortolá<br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><i>enviado por Indiceprop </i></span><iframe allowfullscreen="" frameborder="0" height="236" src="http://www.youtube.com/embed/Ux09w1lOjKk" width="420"></iframe><br />
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<b>Gustavo Ortola Martinez </b></div>
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Ingeniero Industrial.</div>
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Instituto Tecnológico de Buenos Aires (I.T.B.A.) (1989)</div>
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Martillero y Corredor Público Nacional.</div>
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Universidad Tecnológica Nacional (U.T.N.) (2008)</div>
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Especializado en desarrollos inmobiliarios, comerciales y de retail.</div>
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Desarrollando su actividad en la creación y ejecución de proyectos inmobiliarios y el apoyo a desarrolladores en la definición del mercado objetivo de sus proyectos, el diseño de productos, la ejecución de proyectos, la estructuración financiera, comercialización y ejecución de los emprendimientos</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEil49dO7Eaz9hcyF7CS057XZ01q-C5eDMsCnZGHlwvzHRa5fr4hzu9W_cCeF-3RYqyjYe3s04_JLdzZlS0v_BYGzHyiqXP89PfSRde-LW96DDsnNQRZDnuZBNbzXaeuWHD2pfT3BaUKayyn/s1600/gustavo+ortola.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="112" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEil49dO7Eaz9hcyF7CS057XZ01q-C5eDMsCnZGHlwvzHRa5fr4hzu9W_cCeF-3RYqyjYe3s04_JLdzZlS0v_BYGzHyiqXP89PfSRde-LW96DDsnNQRZDnuZBNbzXaeuWHD2pfT3BaUKayyn/s200/gustavo+ortola.jpg" width="200" /></a></div>
<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-9049399707013871807.post-77222422041496328752013-01-19T13:12:00.002-08:002013-01-19T13:12:35.332-08:00Paris, the city of Light<iframe allowfullscreen="allowfullscreen" frameborder="0" height="281" mozallowfullscreen="mozallowfullscreen" src="http://player.vimeo.com/video/56467095?badge=0" webkitallowfullscreen="webkitallowfullscreen" width="500"></iframe> <br />
<a href="http://vimeo.com/56467095">PARIS, THE CITY OF LIGHT (FULL LENGTH HD VERSION)</a> from <a href="http://vimeo.com/trak">Trak</a> on <a href="http://vimeo.com/">Vimeo</a>.<br />
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<b>PARIS, THE CITY OF LIGHT</b> (FULL LENGTH HD VERSION)</div>
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de <a href="https://vimeo.com/trak">Trak</a> <a href="https://vimeo.com/plus">PLUS</a> hace 3 semanas / <a href="http://creativecommons.org/licenses/by-nc-nd/3.0/">Licencia de Creative Commons: by nc nd</a></div>
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DIRECTOR: Benjamin Trancart (Trak)</div>
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CONTACT: <a href="mailto:benjamin.trancart@yahoo.fr">benjamin.trancart@yahoo.fr</a></div>
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MUSIC: Yasawas-Amon Tobin</div>
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"Paris, City of Light doesn't mean "the city with a lot of beautiful lights" but, rather, "the city where, during the eighteenth century, the lights of science (with the biologists like Buffon or Jussieu and with the encyclopedy writers like Diderot or d'Alembert) and the lights of philosophy (Voltaire, Rousseau, Condorcet, Montesquieu, ...) have been lit."</div>
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Feel free to contact me for any time lapse/video project at <a href="mailto:benjamin.trancart@yahoo.fr">benjamin.trancart@yahoo.fr</a></div>
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Copyright: Trak/2012</div>
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</span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-9049399707013871807.post-48732279816627053752013-01-11T10:14:00.001-08:002013-01-13T11:01:57.450-08:00Paris in Motion / Mayeul Akpovi<iframe allowfullscreen="allowfullscreen" frameborder="0" height="281" mozallowfullscreen="mozallowfullscreen" src="http://player.vimeo.com/video/46106624?badge=0&color=ff3300" webkitallowfullscreen="webkitallowfullscreen" width="500"></iframe> <br />
<a href="http://vimeo.com/46106624">Paris In Motion (Part I)</a> from <a href="http://vimeo.com/mayeul">Mayeul Akpovi</a> on <a href="http://vimeo.com/">Vimeo</a>.<br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>Paris in Motion / Mayeul Akpovi</b></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><a href="http://mayeul.com/">Mayeul Akpovi</a> comparte con nosotros un video de lapso de tiempo , que pasa a través de una secuencia de experiencias y lugares, destacando el día y la vida nocturna de la gran ciudad. " <a href="http://www.archdaily.com/tag/paris/">Paris</a> in Motion 'incluye cerca de 3500 fotos con éxito crea un vídeo, acompañado de música, que te atrae y rápido hacia adelante en el tiempo.</span></div>
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